• opera omnia productions - Filming / Tamsin Waley-Cohen / Huw Watkins / Musikverein, Vienna

    Filming / Tamsin Waley-Cohen / Huw Watkins / Musikverein, Vienna

  • opera omnia productions - Photoshoot & Recording Sessions / Alpesh Chauhan / Parma, Italy

    Photoshoot & Recording Sessions / Alpesh Chauhan / Parma, Italy

  • opera omnia productions - Filming / Muza Rubackyte / Salle Gaveau, Paris

    Filming / Muza Rubackyte / Salle Gaveau, Paris

  • opera omnia productions - Filming / AAM / Barbican Hall, London

    Filming / AAM / Barbican Hall, London

  • opera omnia productions - Photoshoot / Benjamin Grosvenor, Piano

    Photoshoot / Benjamin Grosvenor, Piano

  • opera omnia productions - Recording Sessions / ASMF / Arthur & Lucas Jussen

    Recording Sessions / ASMF / Arthur & Lucas Jussen

  • opera omnia productions - Photoshoot / Natalya Romaniw / Soprano

    Photoshoot / Natalya Romaniw / Soprano

  • opera omnia productions - Photoshoot & CD Sessions / Daniel Rowland

    Photoshoot & CD Sessions / Daniel Rowland

  • opera omnia productions - Filming & CD Sessions / Francesca Dego / CBSO / Symphony Hall

    Filming & CD Sessions / Francesca Dego / CBSO / Symphony Hall

Audio Projects - Francesca Dego – CBSO

Project Type: Commercial Release & Publicity Film
Client: Deutsche Grammophon
Artist: Francesca Dego / Danielle Rustioni / CBSO
Repertoire: Wolf-Ferrari / Paganini
Producer: Stephen Johns
Engineer: Patrick Allen
Venue: Symphony Hall, Birmingham

“Excellent recording….the recording creates a convincingly natural concert-hall perspective” BBC Music Magazine

“A fascinating 72-minute album, containing two violin concertos that are all too easily overlooked. And played by a fine young Italian violinist Francesca Dego…” Classic FM, Album of the Week

“..scrumptious stuff and played with great passion” Gramophone

“...a lush, rhapsodic account..” The Sunday Times

5* for Performance: 5* for Sound. Amadeus Magazine

Recording of the Month. Voix-des-arts

‘The recording is excellent, the attentive orchestra well in the picture, and Dego is not spot-lit, making her presence felt through force of personality, vibrant tone and vivid love for both Concertos.’ Classical Source

Francesca Dego – CBSO